video

Important Note: The video above is either a sample of the full video, or a ‘free’ video.
Be aware that the video is playing at 480p (less resolution).
All videos on the site for basic subscribers are at 720p, and 1080p/4k resolution for premium subscribers.

Ocho Transitions: Milonguero Ochos into the Milonguero Turn

There are 8 types of Ochos, but only 2 of them are used routinely to lead into other things. The 2 types ? “Lazy” or Milonguero Style Ochos, and Traveling Ochos, what you folks think of as an ‘Ocho’. Traveling Ochos ? You know the one where you’re supposed to lead Disassociation and you frequently don’t especially on the closed side of the embrace (tsk, tsk, tsk), and where the Follower infers that led Disassociation and fills in the gap and starts Applying Disassociation all over (what you erroneously think of as a ‘pivot’) ? That ocho ? Yes. Frequently these two types of ochos are used as transitions into other pieces of tango vocabulary without a stop or a pause. There is a natural flow in a good number of these transitions and one of them is from the Lazy Ocho into the Milonguero Turn. They align themselves rather nicely. However with the alignment of these things, and the frequency with which you see these things, you would think that there would be more classes on this stuff. But sadly there isn’t. A good portion of the time, you’re taught the under lining vocabulary technique and then shown for 2 minutes near the end of the class where this stuff could (operative word in the sentence, ‘could’) fit. It is for this reason that this topic and the resulting video exists: Ocho Transitions – Milonguero Ochos into Milonguero Turns!

What is an Ocho Transition ? It is exactly what it sounds like. It’s a transition between a commonly used type of Ocho into another commonly used piece of vocabulary. There are 4 types of Ocho Transitions that rely on 2 of the more common types of Ochos. Milonguero Ochos, which are sometimes referred to as “Lazy” Ochos because the hips of the Follower do not rotate. This type of Ocho is absolutely perfect for dancing in a small space, and requires very little effort to lead and very little effort to follow, hence the reason why they’re called “Lazy” Ochos. The second commonly used type of Ocho is the one that everyone is familiar with, these are called “Traveling Ochos” because they do exactly what they say they do, they “Travel” down the line of dance! A Lead will typically engage one or sometimes both of these types of Ochos as a way to transition into another type of vocabulary, usually as a way to lead upto one of the Eight types of turns that are used in Argentine Tango.

What is a Milonguero Ocho to Milonguero TurnIt’s quite possibly the single most used transition the Tango world, for those that are Dancing In A Small Space (DIASS). This transition employs the Follower’s natural diagonal backstep (which is the Lazy Ocho part) and uses that as the opening step for the Milonguero Turn to be engaged!

Free Tip – Learning to lead and follow a Milonguero Ocho will open up doors for you in terms of nuance and clarity that you never even imagined. The reality is that the Milonguero Ocho is quite possibly the mic drop that you’ve been looking for in your dance but didn’t realize it because it looks sooo dead simple. And yet it is that dead simple stuff that can change your dance! This is that toy!

Pre-Requisites: So that we’re all clear on this part, note the difficulty rating below, it is not an exaggeration! You would think this is just walking and turning. That would be a mistake. 1.) You must have mastered your walk first and foremost to the point where you are not using your partner (either lead or follow) for stabilization. 2.) You must be familiar with the Milonguero Ocho from a Leading perspective as well as from a Following perspective. 3.) You also must have mastered the Milonguero Turn from both sides of the embrace. While this transition is a natural extension of both ideas put together it’s important that you have them both clearly in your mind before you attempt to put them together. The reason this video exists is to clean up the issues of the transition itself so that you don’t run into the common problems that most people do when they put these things together. 

About The Video. This video is 22:40 in length in 4 Sections. Both Lead and Follow technique is co-combined. 

Section 1 – Reminder Technique (Milonguero Ochos & Milonguero Turns) – 00:07:02
Section 2 – The Transition Point – 00:07:17
Section 3 – Review – 00:01:13
Section 4 – An Important Detail/End – 00:03:34

10 REASONS TO SUBSCRIBE

There are 4 Levels of Access: Free, Basic, Premium, and Premium+. Free pays nothing but gets a perk just for signing up. 

1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

2.) 
Basic and Premium users Save A BOATLOAD of MONEY! Buying this stuff outright is expensive.

3.) Basic, Premium, and Premium+ users get access to the ALL ARTICLES and THE FULL ARTICLE which you can’t see right now.

4.) Basic, Premium, and Premium+ users have way better video resolution: Free = 420p, Basic = 720p, Premium = 1080p and 4K. 

5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

6.) Video Downloads! 

7.) Access to the Tango Topics Music Library (22 Curated Golden Age Orchestras)

8.) Access to ‘Tango Del Dia’ – Our Music Education System with access to 14 Days of Music, 30 Days of Music Education, and 30 More Days of Tango Del Dia. 

9.) We explain things, break the vocabulary down in a visual way, from multiple angles, showing feet, hands, and close ups! Yes there’s a lot of talking but we want you to understand what it is that you’re doing and why, not just steps, patterns, and figure

and #10:
No more annoying ads at the bottom of the page, begging you to subscribe! 

Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME MSG HERE

Hide picture