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Seven Argentine Starters

For a lot of people, the idea of Leading a dance in Argentine Tango either strikes fear into their heart, and they psyche themselves out to the point where they believe that they can’t do it. Or they overthink the thing to death and reach the same point of thinking they can’t do it or that it’s exceptionally difficult. Or there are those that believe that they feel comfortable enough with Leading a dance. In all three of these types of Leads, regardless of the role (Leading or Following), there’s a moment of “What’s Next ?” right at the beginning of a song. For the Follower, the moment comes in the form of the Follower asking the question in their mind, “What do they (the Lead) want ?” over and over again in their minds. Even though they’ve settled into the embrace, until there is movement, until there is some kind of signal (resistance and compression based or intention based dancing) the Follower exists in a heightened state of hyper-awareness of asking this question. For the Lead, the question becomes “What am I going to do ?” over and over and over again until they’re either forced to move because they’re holding up the line of dance or they fall into their standard opening. In both cases, the dance starts from a place of confusion and cluelessness of “What’s Next ?”. What if as a Lead or as a Follower that state of confusion, that state of feeling dumbfounded were to completely disappear ? What would happen to your abilities as a dancer if you created a series of Openings (and closings) to the dance. Not a series of intricate patterns, no….but rather, simple ways to start a dance that put both Lead and Follower at ease ? That’s where today’s Tango Topic picks up. It addresses what to do at the beginning of the dance with 7 Ways to Start a Dance, as well as 9 Ways not to Start a Dance. So without further yappment, Tango Topics presents the importance of Seven Argentine Starters!

What Is A ‘Starter’ ? A ‘Starter’ is a bit misleading, no pun intended because one might erroneously reach the conclusion that an Argentine Starter was a specific piece of vocabulary, a pattern, that you can use. Unfortunately that’s not the case. It’s more of a simple primer, actually 7 simple primers, that you can use to create more complex choices. Think of an Argentine Leading Starter as something a Vaudeville dancer would call “Vamping” until you’re ready for something else. Which roughly translates from a Vaudeville perspective of doing the same thing over and over and over until everyone is on the same page, doing what they need to be doing, in the right key, on the right note, singing the right words, in the same steps, and then they can proceed with the next thing. The same thing is true in Argentine Tango to an extent. In it’s simplest form an Argentine Leading Starter is a series of simple movements to begin a dance with. That’s it, that’s all. There’s nothing grandiose about it but there is something calming about it. And that’s the important part. Calming both partners. We desire calm, rational, clearly thought out movement, as well as thought and creating a state of placid, serene, almost tranquil state of mind and body for three distinct purposes: 1.) Getting to a deeper state of integration with one’s partner. 2.) Creating a heightened state of readiness for all that may occur that is as much about awareness as it is about being delightful. 3.) Removing any and all nervousness and confusion because we’re employing simple things that can translate to more complex things later on. This is an Argentine Starter.

Follower’s Notation. It should be noted that if you’re a Follower, just because this topic sounds like “Leading…” whatever, that shouldn’t pay attention. When the reality is that you DO in fact want to pay attention to this stuff for a wide variety of reasons which we’ll get to in the Follower’s Perspective below.

The Free Tip. There’s a ton of free information in this article. It may not seem like it, but there’s a ton of information in there. However in keeping with adding a free tip to keep you interested….hahahahahaha, </span><span class=”s2″>Item Number Six is a Dark Side Opening. Why is that relevant ? Go look at the Dark Side Salida. That will give you a few ideas of what else you could do.

About The Video. This video is 25m:13s in length in 4 sections. Both lead and follower technique are combined and integrated into the video. Bold items below shown in video sample video above.

Introduction – 00:02:43
9 Ways Not To Start A Dance – 00:06:08
7 Ways to Start A Dance – 00:13:59
Closure With Examples – 00:01:51

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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