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The Follower Forward Step

The Follower Forward Step. Re-read the title again. Note that it says “The Follower Forward Step”. Note the LACK of ownership of the word “Follower”. Meaning that it’s not the Follower’s (see ? ownership) that we’re talking about. Which lead’s one to believe that the title of this PTA is a misleading (no pun intended). It was a bit long in the tooth of the actual title. So, we shortened it a bit. But the more that we thought about it, we realized that it’s actually quite an apt descriptive of a piece of what’s going on. But only a piece. What’s the actual title ? The Lead’s Follower Forward Step! Which is more than likely going to make you ask WTF is THAT ? Before we get to that part, we have to set this up which happens for Leads at a very particular point in their dance and development. Some of them never get over it and end up making this issue a staple of their dance and it becomes a ‘style’. Uuuugh. Other Leads power through it with their arms, literally. Which is as you might imagine is not exactly desirable. And years later they still have to be reminded not to do that.

The scenario: You’re dancing with your partner through a series of Traveling Ochos, from the Open Side of the Embrace Traveling Ocho to the Closed Side of the Embrace Traveling Ocho. It’s on the Closed Side of the Embrace Traveling Ocho where the Lead will attempt to invoke the Follower’s Molinete. Which should result in an slightly over-rotated Back Ocho leading into the Follower’s back step of their Molinete. And that’s where Today’s Practical Tango Advice begins – The Lead’s Follower Forward Step.

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Have you seen the Walking Systems video ? This video series showcases the Six Ways of expanding your walk in Tango using: Parallel System Walking, Cross System Walking, Three Track Walking, ‘Lazy’ Ochos, The Snake Walks, & Alternate Walking.

Learn > The Six Ways of Walking

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What does “The Lead’s Follower Forward Step” mean ? In the scenario above The Lead’s Follower Forward Step is when the Lead fails to communicate the Over-Rotation of the Follower’s back step of their Molinete that must occur from a Traveling Ocho. And instead they end up generating a Forward step out of the Follower. To their credit the Follower follows what they felt. Which was a rotation of the Lead’s torso which typically indicates a diagonal forward step across the Lead’s body meridian. Just as a side note, it’s important to recognize that a Lead sometimes (ahem) pushes (or pulls – depending on which side the Follower is stepping across) their Follower with their arm/hand and this is NOT desirable. They’ll also co-combine this with the opposite hand/arm compression. Uuuuugh. Moving on. The problem is that the Lead hasn’t quite learned, and then mastered that they must disassociate properly to create a clean piece of information that the Follower can hear…err ‘feel’ as an ‘OHHHH that’s a back step! Not a forward step!’.

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

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The Reality of WHY You Need This Practical Tango Advice (PTA): Frequently you see classes, or workshops, and really just the class ending videos. And from that, you try to work out how they got into that position. Mostly because you can’t afford to go study with that couple. So you watch the teaser video of the end product and try to work out how it was done. Frequently incorrectly with lots of pushing, and pulling involved. Uuuugh. On top of that, you get no actual feedback about how to use this stuff on a social dance floor. You know, the USEFUL parts ?!?!?!? Hopefully, you’d get that stuff in a class or workshops but because it’s youtube, it’s a bit like a box of chocolates, “you never know what you’re going to get”! Gosh if only there were a better way?!?!?!? That’s why Tango Topics Presents: PTA for the Advancing Dancer. These are little snippets of Tango Reality that you absolutely want to digest and put into your Tango thinking cap! They’re entirely free as a REGISTERED user (which is also free by the way). Subscribing costs money. Registration is entirely free! And who doesn’t like free stuff ? Just scroll and register and see the rest of this bit of PTA.

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The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

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Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


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