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Lazy Follower Foot

Lazy Follower Foot. Most people don’t think about this stuff except for when they’re in a class or a Follower Technique Seminar, or in a private lesson. Mostly they hear it and completely forget about it about 10 seconds after it’s been said. That is unless some diligent teacher continually reminds you of this stuff, constantly. To be fair, while this particular topic happens a lot for Followers, this happens everywhere across the entire spectrum of the dance and into real life. If someone says something to you that needs to be corrected, it will take you a few tries to remember to do it, and even then that’s a stretch. The fact is that you’re dealing with muscle memory or in this case ‘muscle comfort’. It’s comfortable for you to do this stuff. So why change it. The reality is that the change comes hard to some people, and comfort is easy. If you’re comfortable why bother changing ? Right ? What you may not realize is that that comfort may or may not be desirable to look at, as in this case of Lazy Follower Foot.

What is ‘Lazy Follower Foot’ ? It is a state where the Follower’s back foot as it comes into collection from a Forward step, is either dragged without care or unconsciously. The foot itself, seemingly hangs off the ankle, and is summarily dragged into collection from the Forward step. This doesn’t happen from the Back or Side step, that’s the ‘Dangling’ Foot error. Whole different ball of wax, but the solution is exactly the same as shown in today’s video! 

The Error In Your Thinking. The reason why this dance was challenging for you, and this is the error, is that’s just their ‘style’ of dance, and it’s not your style. Yes there is an estillo to some people’s dance, but sometimes with the more advanced dancers this isn’t about style…it’s about technique and the execution of that technique! So, put simply you’re missing the other side of the equation: You’re not ready for them! And the reason is, because your understanding of your own technique, your underlying foundation, how you move, how you land your feet, how you extend your legs, how you embrace your partners, where you place your body in relationship to your L/lead, where and how you engage X piece of vocabulary…all of that stuff is not trained in you. It’s just not. Further, because you’re dancing with a certain class of L/lead mostly you only get to experience a very small sliver of what a fully trained and operational Lead can actually do. Further still the Neurology of Following (as opposed to the Neurology of Leading) is lacking in you. So as a result you ‘miss’ things. So a Lead like that above, is mostly lost on you. Yes it’s insanely fun, and challenging, but you ‘missed’ so much and what’s worse is you know it. It wasn’t embarrassing, thank god, but you know in your heart you missed so much of what was ‘said’. You missed the nuances. The subtlety.

Diving Deep.

There is a reason this stuff happens, actually four possibilities: 1.) Poor execution of technique. 2.) Poorly understood technique.  3.) No Practice. or 4.) All of the above!

While it’s not rocket science what those things mean, they do require a bit of detail.

1.) Poor Execution. This means that your attention to detail of your technique is sloppy. Meaning that you allow your foot to unconsciously move as it sees fit to move in relation to your ankle and leg. Even though you have been shown X, it’s not showing up in your dance. Either consciously or unconsciously.

2.) Poorly Understood. This happens quite frequently. We hear ‘X’ when a teacher says something to us, and in reality they meant ‘Y’.  But because we hear it through the filter of our understanding we end up misunderstanding more often than not. Poorly understood means that you hear or see something and presume that ‘A’ is ‘A’ instead of diving deeply to dig down to the roots of what ‘A’ actually is. To see it’s inner workings. Not just to accept it, but figure out for yourself how and why something functions.

3.) No Practice. This should be a no-brainer. But you’d be surprised just how many people will go to a teacher or a class and magically expect them to fix everything, and that now that they’ve visited with teacher ‘C’ that things are all better and they can go back to what they were doing in the first place. Because teacher ‘C’ said they’re “you’re doing fine but…” and “that’s fabulous, and…”, or … did you see it ? Probably not. You missed the ‘but’/‘and’ at the ends of those sentences. You only heard the praise and not the rest! Which was… “You should go home and practice the frak out of this stuff that I just spent the better portion of the last hour showing you! Not to mention you just handed me a boatload of cash to tell you this stuff, so you had damned well better go home and practice this stuff!!”.

4.) All of the Above! This needs no explanation. It’s not one or the other, but actually All of them together.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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