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Argentine Rock Steps

Argentine Rock Steps

The Argentine Rock Step is a very venerable piece of tango vocabulary it’s used quite often as a way to avoid a hazard, and infrequently as a what is primarily supposed to be used for as musical interpretation. More often than naught for a lot of people the addition of the Rock Step is where they stop developing kinesthetically. This becomes their experience, their go to move, and they don’t realize that this is the case.  So let’s talk about Today’s Tango Topic: The Argentine Rock Step.

What is A Rock Step ? First let’s define what the word ‘Rock’ means. According to Webster’s Dictionary, the English word ‘Rock’ in this case is being used as a verb. It has a noun form, which means “a mass of stone”. In it’s verb form it means “to sway back and forth”. Next when we apply that idea to Dancing, a Rock Step means that you have a step that is going to go from weight transfer to weight transfer, very quickly.

An Argentine Rock Step is a little different. It refers to a very specific construct, and is not swaying to from side to side, but actually weight transfer to weight transfer (usually back and forth) sometimes with a Resolution (more on that later). In a lot of ways a ‘Rock’ Step appears to look like (operative word) as if the couple dancing are a Rocking Chair. The Argentine Rock Step is in the family of ‘Alterations’ of Tango Vocabulary. Meaning that due to a possible Resolution, the Follower’s direction (orientation) changes as a result. One more thing: There is a distinct and clear difference between an Argentine Rock Step and a Check Step and/or Incremental Step as shown in the video below.

The video above shows the difference between the two (and one possible error that happens quite frequently). A Check Step has no weight transfer forward (for the lead) and backwards (for the follower). In the case of the Rock Step there is a clear, and definitive weight transfer backwards AND THEN forwards. 🙂

Difficulty Rating: 2.0 Stars2.0 / 5 

Check Please! The video above is small snippet of a full HD video (total run time: 14m:16s). You can purchase Argentine Rock Steps for just 15.99 not including your level discount.

 

From A Following Perspective there are two things that are going to confuse you about a Rock Step. 1.) The Rocking Motion itself. And 2.) The desire to collect your feet. Let’s deal with the second item first, as it’s the easiest to describe. You’ve been taught to ‘collect’, ‘collect’, ‘collect’, and then along comes the proverbial Rock Step that says, “don’t collect…not just yet”. While there is a collection there, that collection is in fact, a led collection. And that’s the part that will confuse you. Why ? Because a good portion of the Leads you’re currently dancing with will not lead it, and more over they expect that you’ll ‘follow’ them. This is better known as reading their minds. You’re not a mind reader are you ? Hmmmm, probably not.

Now let’s deal with the first of these issues, the ‘Rocking’ motion itself. First and foremost it is actually much like a rocking chair motion, only we don’t actually lift our feet off the ground. It’s more like a weight transfer back then forward more than anything else. Now for the confusing part, we actually want to add a tiny bit of ‘spring’ to the motion itself. Truthfully the rocking motion is kind of dead, there’s no energy to it. And that’s the problem with it right there. You’ll transfer your weight back, and then forward and it’s like a ’thud’. But we don’t want to that to happen, and instead we want a tiny bit of a ‘spring’ motion to happen on the back step. So for this, you’re going to bend your knee and launch into the forward rock.

The advice above, covers the Linear and Parallel/Cross System Rock Steps. However, when we make the step Circular and not Linear, and then make them Parallel or Cross System Rock Steps, and then the possible resolutions out of the Rock Step, this is where things get interesting for you.

Resolutions ? First we have to talk about resolutions. What’s that ? A Resolution means that you want to get back in front of the Lead. Usually facing the lead, your torso plane facing the lead’s. However when we make the Rock Step Circular and Cross system based, your rock step resolution (just the resolution part) is not back in front of your lead, but rather turned perpendicular to them (not shown above but in the Rock Step Video)!

This Circular Cross System Rock Step and Resolution part is a little confusing at first and the reason is that it’s an unusual motion for you, it’s not back to facing your lead. Most of your Tango life to this point has been about resolving back in front of your lead. “Stay in front of your lead” is what you’ll generally hear. The Circular Cross System resolutions specifically breaks that convention. Because you’re not, in certain cases, going to end up facing them, but rather perpendicular to them. 🙂 And you’re going to think to yourself that you missed something, or that you’re behind, or that you’ve ‘disconnected’, and that’s less than desired thinking. If you followed what was led, then you’re not wrong. The fact is that the resolution is awkward, fun, but awkward.

The Caveat of the Rock Step. A good portion of your leads are going to jerk you around with their arms and hands. They’re going to believe that they have to ‘stop’ you. And thereby they’ll feel that they need to pull you towards them. This is an error on their part, they haven’t quite mastered intention based dancing. Neither have you for that matter. So as a result their going to squeeze, or compress, the embrace with their right forearm to stop you from going any further. This is not desirable on their part, but they don’t know it. And since no one has complained about it, they see no reason to change their behavior. Unfortunately this stopping motion has an undesirable visual side effect. It make the couple look ‘choppy’, as if the lead is jerking the Follower around. Truthfully, there’s not a whole lot you can do about this. Sadly. You’ll just have to survive until the end of the song, at which point you can say “thank you” and move on. But that’s your choice. Best practice ? If the squeezing is really painful, switch embrace types, and then if that still doesn’t change anything, you can always say “Thank you” at the end of the song (and not the tanda). Remember to take care of you! There’s one more fix here and that’s to start saying “No” to these leads that Rock Step endlessly, and jerk you around, as shown in the video below.

From a Leading Perspective the Rock Step is over used. Once a Lead learns this stuff they lose their proverbial mind, and it becomes their go to vocabulary for every possible resolution. Further still they have a distinct and clear, unconscious in most cases, desire to squeeze their partners bodies in order to stop them from continuing backwards or forwards or resolving cleanly. It’s an evil thing really. Quite honestly the Rock Step is usually performed without any level elegance unless by a trained professional and sometimes not even that. However, most of the time it’s overused, and executed in a manner that makes the couple appear sloppy and inelegant. 🙁

That said…

Now we get to the good parts of the Rock Step. There are some really cool things that we can do with a Rock Step. And the fun parts really begin with the Cross System and Circular versions. Because in both cases they’re door openers to other ideas and other pieces of vocabulary. Basically they’re transition elements. If nothing else, they’ll act like glue between one idea and the next. And it is for this reason that they’re over used. There are other ideas that don’t get used at all that can take their place such as turns, ocho cortados and the options, wraps, colgada turns just to name a few.

One more thing: Stepping backwards in the line of dance. The Rock Step seemingly breaks the convention of stepping backwards in the line of dance, and that’s not necessarily the case. If done properly, it should take up no more space than a single walking open step. However, if you’re concerned that you’re taking up too much space, here’s a free tip: Angle the resolution step, backwards against the line and lane of dance!

About The Video. This video comes is 14:16 in length in ONE section broken up by markers. Both lead and follower technique is combined and integrated in the video.

Marker 1 - Introduction - 00:00:48
Marker 2 - Lead Technique/Follower Technique - 00:01:15
Marker 3 - Side Step Resolutions - 00:02:06
Marker 4 - Parallel Linear Rock Steps (Example: Close Embrace) - 00:00:20
Marker 5 - Parallel Linear Rock Steps/Resolution (Example: Close Embrace) - 00:00:18
Marker 6 - Cross System Rock Steps - 00:01:27
Marker 7 - Cross System Resolutions - 00:02:38
Marker 8 - Cross System Examples with Resolutions - 00:01:20
Marker 9 - Linked Rock Steps (Multiples) - 00:01:50
Marker 10 - Chained Rock Steps with Resolutions & Closure - 00:01:57.

It can be purchased for $15.99 or downloaded as part of your subscription with a discount.

From a Dancing Perspective as has been indicated, it’s over used, far too often. There are other ideas that we want to engage. However, from a dancing perspective you’re going to see it every where and think that there’s nothing wrong with it until, after reading this article and seeing the requisite videos that you start to recognize that you use them far too much. Is this article going to change your mind on the topic ? No. Are you going to continue to use them ? Yes. Are you going to continue to over use them and thereby squeeze the living daylights out of your partners ? Yup. So why bother wasting breath on this stuff ? Simple. Awareness. The fact is that the more voices out there telling you not to do something hopefully it will start to sink in. And that, friends, is the point at which change has happened or can occur and that’s part of the reason why this page and the site and the videos under exist. So that change can and does occur, that you begin to think differently about the dance than you have.

The Missing Information.  There's a free tip (for registered free users) that's not here because you're not logged in. If you were logged in, you'd see a free tip, but because you're not, you're not seeing it. So ? If you want the free tip, then go register as a free user and login. 🙂 However, if you want the toys, and to see the 22:14 HD quality video on how to properly lead an Argentine Rock Step & Resolutions and all the toys that go with it. Then you have 2 options. 1.) You can buy it. or 2.) You can subscribe!

 Watch It On Youtube ? Why should you pay for this video, or subscribe to this website when stuff like this is available on Youtube ? Because what you'll find on Youtube doesn't explain and walk you through the how an Argentine Rock Step & Resolution works! That’s why! 

So, please, go right ahead, go watch all the presentation videos on youtube all you want. Because that's what they are 'Presentation' videos. The couple's that you're used to seeing are performing for the 15th row for a room full of people, they're not social dancing. Whereas this website is all about 'Social Dancing'. So please, go spend your time, trying to infer, and figure out how things may work in that situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out.  Which can be a lot of fun, but more than likely it won't help you, because you're missing something: The explanation from an experienced teacher! (ahem) ME!  The goal of youtube videos is to entice you to go study with those teachers in person. The goal of these videos is allow you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and be done with it. 😉

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique.

In an hour long class, with the blind leading the blind through rotation of partners (uuuggggh!), you may glean a piece of the information you need and not get the whole thing, and you’ll miss important pieces that you’ll end up having to take a private lesson for to get the finer points. This way, you can watch over and over again, and get all the supplementary materials, and if you want you can still go take the class, only you’ll be better prepared to do so!

The Last Word. Tango Topics is little reminders and snippets of information that your teachers would have told you about but didn’t have time to or didn’t care to remind you for the umpteenth millionth time. Do you need videos like these ? Yes. Why ? Simple…you need as many reminders as possible in as many forms as you can get. In today’s Tango world it does take a village to raise a dancer. And that means having as many voices, reminders, ideas, concepts, perspectives as possible. This video and the rest of the ones that are sitting behind the Tango Topics paywall are that. While what you’re seeing above is only the smallest hint of what’s contained in the actual video. It should be enough for you to make a reasoned and intelligent choice that perhaps there’s something of value in this site and the videos that are here. Considering becoming a Gold, Gold Plus, or Diamond level subscriber today.

 

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Ocho Cortado Wrap

Ocho Cortado Wrap

The Ocho Cortado is a venerable piece of tango vocabulary used primarily for cutting turns, adding accents to the ends of musical paragraphs, or just to add a bit more ‘fun’ to the dance. It’s great in open, fabulous in close embrace, and just delish when led and followed slowly. There’s nothing crazier than an Anti-Ocho Cortado (reversing the Cortado, lead doing the follower’s steps & the follower doing the lead’s), while going against the music as counter point. 🙂 However, far too often a fair number of Leads, and a good number of Follower overuse it as if it were going out of style and they just have to get all they can in, before the end of the Ocho Cortado. After about the 3rd time most Followers yawn and yearn for something else, a little nuance, a little spice, a little…something else. While this belief could make most Leads (the person, not the action) cop to the ‘more vocabulary is better’ philosophy that pervades most leading classes, there is another way to go here. And that’s the add nuance. The nuance in this case is today’s Tango Topic: The Ocho Cortado Wrap.

What is An Ocho Cortado Wrap ? Put simply it’s a Follower’s leg wrap....

mixed with an Ocho Cortado (the ‘Cut’ Ocho).

To be fair the Ocho Cortado is not really an Ocho, not by any stretch of the imagination, nor is it a broken one at that. It is more akin to the Follower’s Molinete more than anything else.

Difficulty Rating: Ocho Cortado: 2.0 Stars2.0 / 5 Wrap/Enganche: 3.5 Stars3.5 / 5

From A Following Perspective you’re going to do a fair amount of work for this one. And most, if not all, of that work comes in the form of awareness on your part in 3 distinct areas below, and then their execution. This mixed move requires you to execute with some level of deftness and clarity what’s being asked of you so be prepared.

1.) Recognizing the Cortado. The Ocho Cortado itself is an easy piece of vocabulary for you to execute in Close or Open embrace. There’s really nothing crazy about it. The fact is though that you do actually have to recognize that this is a Cortado that’s being executed and not your Molinete. And the key component to that recognition is the opening check step that happens at the beginning of every Ocho Cortado. That motion tells you 2 things: a.) An Ocho Cortado is in your immediate future and b.) Something else could happen along the same lines, using an Ocho Cortado as the basis for that the other movement. 😉

2.) The Wrapping Indicator. Speaking of other things…. this particular piece of vocabulary for you is all about the nuance of the Wrap (Enganche) itself. So you ideally want to listen for something very specific: The invasion of the lead’s leg into your space, against the fleshy part of your thigh. That invasion tells you that this is no longer going to be an Ocho Cortado but instead, a Wrap!

and 3.) Your Side Step. Because you have already determined that it’s not going your Molinete, but instead of an Ocho Cortado, you need to make a small change in the execution of your side step: Instead of it being circular, it wants to be a linear side step. The reason being that if you’re too close, then the Wrap that the lead is looking for will not happen or become too unwieldy because you’re too close (circular side step).

Your awareness of these things regardless of whether or not you’re being led to an Ocho Cortado or a Wrap is can literally change the quality of its execution from one of “oh shit” (as in surprise) to “that’s cool” which will open up doors for you in terms adorning the Wrap itself, as there are a few places within the Wrap you have an inordinate amount of control over: the Leg up, the Leg/Calf Wrap itself, the Exit Wrap, and the Leg down. Lots of places to add a bit of ‘flash’.

The difficult part for you will be in the Wrap itself, your desire is to displace your leg (sending it out and away) unless you’ve have been trained to respond to a wrap specifically. And beyond that, the next major difficulty for you will be making the Wrap elegant and not gaudy. 🙁 The gaudy part is easy as it comes in many forms. The elegant part ? That takes time, patience, and practice. As there is a method to making the Follower’s Wrap actually work well regardless of who you are dancing with. For that to happen, look at 10 Wraps in the Tango Topics Archive. It’s full of Follower Technique on this topic.

From a Leading Perspective the Ocho Cortado Wrap is all about clarity for you. You need to be absolutely clear that you are leading ‘X’ and not ‘Y’. Otherwise the Follower will default to an Ocho Cortado. This axiom assumes that said Ocho Cortado is in their vocabulary, and they’re not suffering from Autopilot Following. 🙁 So what does “Clarity” look like from your perspective ?

1.) The Wrap Invasion. Every Lead that tries a wrap makes one of the few following errors. a) Stepping too deep. b.) Compressing the Embrace (Pulling). c.) The ‘Straight’ leg syndrome. d.) Watching the Follower’s feet. e.) Stepping too shallow. or what seems like a personal favorite -> f.) Stepping into the middle of the Follower’s space and just ‘expecting’ them to “Wrap”. Better known as not actually leading a damned thing. 🙂

2.) Leading the Linear Side Step and not a Circular one. 

3.) Opposition as you enter an Ocho Cortado. The oppositional forward step across you, is absolutely crucial to the success or failure of an Ocho Cortado. This is what will differentiate the move from the Follower's Molinete.

Without these three things being absolutely crystal clear in you, this nuanced variance becomes a lot like a watching a gymnastics tournament, and about as pleasurable from the Follower’s perspective, sadly. Mostly this stuff comes down to actually leading this stuff but not over-leading it. That’s a fine line. You have to suggest, but not force. You must indicate, but not use your arms to do it. You must invite without resistance in any way, shape, or form. Resistance is Less Than Desirable. Period.

One thing that should be obvious is that the ending vocabulary, how you exit, mostly will be Traveling Ochos more than anything else. Why ? Because the ending step of the Wrap is set up for just that! 

dancing in a small space ? try these articles!

bsas-prep-title

About the Video: This video comes is 21:44 in length in 14 Sections.

Section 1 – Introduction – 00:00:20
Section 2 – Ocho Cortado Review – 00:00:48
Section 3 – Lead Reminders – 00:02:22
Section 4 – Follower Reminders – 00:03:23
Section 5 – Ocho Cortado Both Roles – 00:00:23
Section 6 – The Wrap For Leads – 00:01:33
Section 7 – The Wrap for Followers – 00:01:42
Section 8 – Wrap and Cortado Together – 00:01:43
Section 9 – The Open Embrace Version – 00:00:50
Section 10 – The Close Embrace Version – 00:01:14
Section 11 – The Open Side Cortado Wrap – 00:00:40
Section 12 – Why This ? – 00:01:56
Section 13 – A Double Wrap – 00:01:53.
Section 14 – Adding a Lead Gancho – 00:01:19.
Section 15 – Closing.

It can be purchased for $15.99 or downloaded as part of your subscription with a discount.

From a Dancing Perspective truthfully this is nuance vocabulary. Nothing more, nothing less. And it should rightfully be used as such. Spice. Accent. Think of adding the wrap to this as a little tiny surprise. A change of pace. Nothing more than that. It’s a variation on a theme of Ocho Cortado Options with a clear fixation on the Wrap as the exit possibility. Are you going to see this a lot ? No. Is the Follower going to expect it ? No. Is the Lead going to not push or pull in this or use their arms ? That remains to be seen. In reality this stuff does fit within the line and lane of dance, and can be a very useful too in accenting certain singular accent notes in say Di Sarli, Fresedo, or Caló. De Caro, Tanturi, or Rodriguez may not work unless the wrap is more of an enganche more than anything else, a quick ganchito. So really, more late Di Sarli more than anything else.   

The Missing Information.  There's a free tip (for registered free users) that's not here because you're not logged in. If you were logged in, you'd see a free tip, but because you're not, you're not seeing it. So ? If you want the free tip, then go register as a free user and login. 🙂 However, if you want the toys, and to see the 22:14 HD quality video on how to properly lead a Ocho Cortado Wrap and all the toys that go with it. Then you have 2 options. 1.) You can buy it. or 2.) You can subscribe!

 Watch It On Youtube ? Why should you pay for this video, or subscribe to this website when stuff like this is available on Youtube ? Because what you'll find on Youtube doesn't explain and walk you through the how an Ocho Cortado Wrap works! That’s why! 

So, please, go right ahead, go watch all the presentation videos on youtube all you want. Because that's what they are 'Presentation' videos. The couple's that you're used to seeing are performing for the 15th row for a room full of people, they're not social dancing. Whereas this website is all about 'Social Dancing'. So please, go spend your time, trying to infer, and figure out how things may work in that situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out.  Which can be a lot of fun, but more than likely it won't help you, because you're missing something: The explanation from an experienced teacher! (ahem) ME!  The goal of youtube videos is to entice you to go study with those teachers in person. The goal of these videos is allow you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and be done with it. 😉

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique.

In an hour long class, with the blind leading the blind through rotation of partners (uuuggggh!), you may glean a piece of the information you need and not get the whole thing, and you’ll miss important pieces that you’ll end up having to take a private lesson for to get the finer points. This way, you can watch over and over again, and get all the supplementary materials, and if you want you can still go take the class, only you’ll be better prepared to do so!

The Last Word. Tango Topics is little reminders and snippets of information that your teachers would have told you about but didn’t have time to or didn’t care to remind you for the umpteenth millionth time. Do you need videos like these ? Yes. Why ? Simple…you need as many reminders as possible in as many forms as you can get. In today’s Tango world it does take a village to raise a dancer. And that means having as many voices, reminders, ideas, concepts, perspectives as possible. This video and the rest of the ones that are sitting behind the Tango Topics paywall are that. While what you’re seeing above is only the smallest hint of what’s contained in the actual video. It should be enough for you to make a reasoned and intelligent choice that perhaps there’s something of value in this site and the videos that are here. Considering becoming a Gold, Gold Plus, or Diamond level subscriber today.

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Ocho Cortado Options


Ocho Cortado Options

Ocho Cortado. The word ‘cortado’ translates into English as ‘cut’ or cutted (which isn’t a word) or an Ocho that is Cut. In today’s version of the modern Ocho Cortado it rarely resembles its ocho variations or ocho roots. It’s no wonder when people say the words for the first few times they get a little confused and can’t see the embedded ocho properties that are sitting there. When we think of ochos, we tend to only think of BACK (Traveling) Ochos, not their forward variety which is where the confusion comes from. Further still it’s the interruption that of the ocho (hence the ‘cut’ part) that people don’t see which creates more confusion. Today’s Tango Topic takes the idea of Ocho Cortado and adds a few nuances to it that you wouldn’t ordinarily think of or consider, this particular variety of the Ocho Cortado are considered variations on a theme, or ‘Options’. Think of these ideas as what you can do with the Cortado before, during, and, after you execute one. This is nuance vocabulary, variance vocabulary. Ideas to give you a starting point to expand on and to play with. Hence today’s topic, Ocho Cortado ‘Options’.

Linking Notation: All the links on this site are internal definition links, nothing is external (excluding tangotopics youtube channel links), meaning the links are there to create a deeper and richer clarity.

Check Please! The video above is small snippet of a full HD video (total runtime: 14m:31s). You can purchase Ocho Cortado Options for just 14.99 not including your level discount

From A Following Perspective, the fact is that while you may believe that you have absolutely ZERO control over the execution of an Ocho Cortado, you’d be very, very, very wrong. You, in the role of the Follower, have an inordinate amount of control. Specifically in how and where you cross your feet. How and where your side step goes. How and where your forward step goes. All 3 of those steps have variances built into them, and those variances give you far greater control than you might realize. Just a few millimeters this way or that way is a difference between a lead choosing to go one way, or choosing to go another simply because you’re ‘not’ in the right position for them to execute their next idea. As a result they have to think quickly and come up with something else, or more to the point they have to Follow where you’ve gone! Some might consider this to be highway robbery and inciting the Follower to not be cooperative. Some might say that the polar opposite is true, where we’re creating an egalitarian dance of equals. While the latter in the real world is a pipe dream for a variety of reasons, the former is the hard cold fact – that’s how most Lead’s see the Follower having any initiative. Sadly. Regardless of which side you come down on the fact remains if they may lead it, ultimately YOU, as the Follower, have a choice in how and where you Follow it! That’s power right there dear reader! That said, there are two options that you can start doing today that add nuance to the Ocho Cortado: 1.) Decorate the 3 steps outlined on either side, either as the step begins or ends. But there is a caveat -> it must be in time to the music. If there’s no accent note, then there shouldn’t be a decoration. If there’s no musical flourish, then no decorations. If there’s no musical counter point, then no decoration. You can not just willy nilly throw in decorations because they look pretty. No. You must decorate with purpose! The purpose is that if it’s in the music, then there is a decoration! 2.) Go here. Watch that, and then set about to doing it, religiously.

From a Leading Perspective, full disclosure here – there are two options that are not covered specifically or shown in this video: The first is the Cortado Wrap - Meaning a Cortado that turns into a wrap as either the entry or the exit from the Cortado. The second is the Multiple Cortado, meaning multiple Ocho Cortados. For those items you must see their respective videos on Wraps and Ocho Cortado. There is one thing about the Cortado that does come up quite frequently and it’s here as a reminder more than anything else that you as a Lead must be aware of, and to start to adjust for. What is that ? As the Follower takes their side step they’re going to end up in your arm pit and then stay there as they cross their feet. The key is to not to allow that to happen and to quite literally adjust the Follower’s body position so that they don’t end up there. And by ‘adjust’ that does not mean to use your arms and to force the Follower into position. No. We’re talking about 2 millimeters to the left (not to the right) that would make the Cortado comfortable for the both roles and more important than that, no body contortion is required. Far too often when performing these things (like an Ocho Cortado) you end up contorting your body to do X, Y, and Z. And while you may not realize that you are in a state of contortion, you are contorted, and you’re making the Follower contort even more! The contortion is the result of you not understanding how X, Y, and Z is also due to the poor application of your underlaying technique. So as wonderful as it is to have options and cool entrances and exits, it far more important than you work on your foundation. Specifically your walk must be stable, clear, steady. Your embrace should be effortless everywhere, specifically in turns where you don’t need to hold onto or more importantly squeeze your Follower with your forearm and/or your hand in order to stabilize yourself or to execute or indicate a leading element.

dancing in a small space ? try these articles!

bsas-prep-title

From a Dancing Perspective, the Ocho Cortado happens. Sometimes it happens with great frequency, and sometimes not. However what is true is that with a little bit of variation here and there, the same ole - same ole can be be very very nice and welcomed addition. And that’s primarily what this video is all about - providing different entrances and exits, nuances to how to engage the Ocho Cortado for a series of commonly used pieces of vocabulary and some not so common and a few new ideas that you probably haven’t seen before. There is one aspect to the Cortado that is generally not talked about, and that’s the fact that it really is close embrace vocabulary for tight, small spaces. It’s compact enough that it can be executed on a dime without a whole lot of movement. This is aspect is shown in the video Preparing for Buenos Aires. Which is really dancing in small spaces. And the Ocho Cortado is perfect for that. These Options that are shown here display a few more nuances that can be added to dancing in small or compact way.

About The Video. This video comes in at 14m:31s in length in 7 Sections. Both lead and follower technique is combined and integrated in the video.

Section 1 - Introduction - 00:00:18
Section 2 - Linear Ocho Cortado Review - 00:02:53
Section 3 - Entry Points - 00:01:36
Section 4 - Possible Exits - 00:03:44
Section 5 - Cortado Ideas - 00:01:46
Section 6 - Cortado Variances - 00:03:32
Section 7 - End - 00:00:12

It can be purchased for $14.99 or downloaded as part of your subscription with a discount.

The Missing Information.  There's a free tip (for registered free users) that's not here because you're not logged in. If you were logged in, you'd see a free tip, but because you're not, you're not seeing it. So ? If you want the free tip, then go register as a free user and login. 🙂 However, if you want the toys, and to see the 07m:10s HD quality video on how to properly lead & follow Ocho Cortado Options and all the toys that go with it. Then you have 2 options. 1.) You can buy it. or 2.) You can subscribe!

 Watch It On Youtube ? Why should you pay for this video, or subscribe to this website when stuff like this is available on Youtube ? Because what you'll find on Youtube doesn't explain and walk you through the how of Ocho Cortado Options. That’s why! 

So, please, go right ahead, go watch all the presentation videos on youtube all you want. Because that's what they are 'Presentation' videos. The couple's that you're used to seeing are performing for the 15th row for a room full of people, they're not social dancing. Whereas this website is all about 'Social Dancing'. So please, go spend your time, trying to infer, and figure out how things may work in that situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out.  Which can be a lot of fun, but more than likely it won't help you, because you're missing something: The explanation from an experienced teacher! (ahem) ME!  The goal of youtube videos is to entice you to go study with those teachers in person. The goal of these videos is allow you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and be done with it. 😉

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique.

In an hour long class, with the blind leading the blind through rotation of partners (uuuggggh!), you may glean a piece of the information you need and not get the whole thing, and you’ll miss important pieces that you’ll end up having to take a private lesson for to get the finer points. This way, you can watch over and over again, and get all the supplementary materials, and if you want you can still go take the class, only you’ll be better prepared to do so!

The Last Word. Tango Topics is little reminders and snippets of information that your teachers would have told you about but didn’t have time to or didn’t care to remind you for the umpteenth millionth time. Do you need videos like these ? Yes. Why ? Simple…you need as many reminders as possible in as many forms as you can get. In today’s Tango world it does take a village to raise a dancer. And that means having as many voices, reminders, ideas, concepts, perspectives as possible. This video and the rest of the ones that are sitting behind the Tango Topics paywall are that. While what you’re seeing above is only the smallest hint of what’s contained in the actual video. It should be enough for you to make a reasoned and intelligent choice that perhaps there’s something of value in this site and the videos that are here. Considering becoming a Gold, Gold Plus, or Diamond level subscriber today.